The Velvet Light Trap: A Critical Journal of Film & Television, 34, 40–58. Golden harvest films and the Hong Kong movie industry in the realm of globalization. Jefferson, NC: McFarland & Company.įore, S. American Film Studios: An historical encyclopedia. New York: Farrar, Straus & Giroux.įernett, G. Lexington, KY: The University Press of Kentucky.ĭunne, J. Lexington, KY: The University Press of Kentucky.ĭick, B. City of dreams: The making and remaking of Universal Pictures. Berkeley, CA and Los Angeles, CA: University of California Press.ĭick, B. Playing to the world’s biggest audience: The globalization of Chinese film and tv. Urbana and Chicago, IL: University of Illinois Press.Ĭurtin, M. Fu (Ed.), China forever: The Shaw Brothers and diasporic cinema (pp. The Lion’s share: The story of an entertainment empire. Hong Kong: Hong Kong Film Archive.Ĭrowther, B. A southeast asian tycoon and his movie dream: Loke Wan Tho and MP & GI. Stanford, CA: Stanford University Press.Ĭhung, S. America’s corporate art: The studio authorship of Hollywood Motion Pictures. Notes on Columbia Pictures Corporation 1926–41. Madison, WI: The University of Wisconsin Press.īehlmer, R. United artists, volume 2, 1951–1978: The company that changed the industry. Madison, WI: The University of Wisconsin Press.īalio, T. United artists, volume 1, 1919–1950: The company built by the stars. Through the historiographical survey, the chapter defines a methodological framework for this book on Milkyway. By also looking into literature on Hong Kong-based film companies, this chapter identifies topics and themes that are particularly important in a Hong Kong context, such as identity and globalisation, and points out the lack of scholarly attention on contemporary companies. Considering differences between the vertically integrated Hollywood majors and small and independent production houses, this chapter explicates why an integrative approach proposed in the field of media industry studies that combines industrial analysis with discourse analysis and other approaches would be more suitable for studying contemporary independent production houses. It explores how industrial analysis became a preferred approach to understanding the operation of film companies and the studio system in the process of the refinement of theoretical frameworks and tools for writing histories of Hollywood cinema, and how studio documents and related materials replaced film texts as the main sources for charting studio histories. This chapter firstly examines the ways in which Hollywood studios were studied. Chapter 1 conducts a literature review of existing studies on film companies ranging from Hollywood studios to those in Hong Kong film history.
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